There’s been a lot said about 32-bit float audio over the last couple of years. A lot of people saw it as their miracle saviour, allowing them to ignore basic microphone principles. Well, that’s obviously not true, but 32-bit float audio certainly has its advantages.
We’ve also started to see 32-bit float audio implemented into more new recorders, but I think Zoom might have just taken the low-budget lead. The new Zoom H1 XLR ($149.99) combines a pair of XLR inputs with 32-bit float recording for a very compact high-quality setup.
Zoom H1 XLR – A Versatile Compact Recorder
The name Zoom H1 will already be familiar for many filmmakers and hybrid video shooters. It’s Zoom’s entry-level compact field recorder. It features a pair of built-in microphones but also has an input that you can use for external 3.5mm mics, like the Rode VideoMic NTG ($249) or a wireless lav receiver.
The Zoom H1 XLR features no built-in microphones, but it does sport a pair of XLR sockets – as well as the 3.5mm mic/line input. It’s not quite as compact as the regular Zoom H1, but compared to other field recorders on the market, it is extremely compact.
Despite two XLR inputs and a stereo 3.5mm input, you’re not able to record all four tracks simultaneously. You only get to record two of them at a time – in either mono or stereo. But you are able to supply phantom power to those XLR sockets, letting you use either dynamic or condenser microphones.
Also acts as a 32-Bit float USB audio interface
The Zoom H1 XLR, naturally, acts like a standard field recorder, with two XLR inputs. You can take a feed from the output of a mixing desk at a concert or just plug a couple of microphones straight into it, and you should get a great recording every time.
But where the Zoom H1 also shines is that it can act as a 2-channel digital USB audio device. And unlike some of its contemporaries, the digital USB audio capabilities are also full 32-bit float. And for those who are live streaming and want to record for future refining and editing, the Zoom H1 can also record internally while sending audio to your computer.
This is a great option for small creators and YouTubers who often find themselves filming both in a regular studio location as well as outside of the studio. Quick and easy to unplug and swap between your computer and your camera or standalone use.
32-bit float means you won’t need to worry about the levels while recording. Be as loud as you like, and it won’t clip. But signal-to-noise ratio still applies – as do the laws of physics – so you’ll still want to consider good microphone placement.
It’s nice to see Zoom’s lineup starting to evolve a little more towards 32-bit float now. I had been thinking about picking up a Zoom F3 ($299.99) for the rare occasions I might need 32-Bit float audio, alongside my Zoom H8 ($389.90). But with the release of the H1 XLR, maybe we’ll see a new 32-bit version of the H8 at some point soon and I’ll upgrade that instead!
Price and Availablity
The Zoom H1 XLR is available to pre-order now for $149.99. Items are expected to ship in the coming weeks.
